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April 26, 2017

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship. A TV adaptation of Margaret Atwood's novel.

March 9, 1990

In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

A recreation of the opening scene from the pilot episode of The Handmaid's Tale, "Offred." Originally directed by Reed Morano, ASC. Original cinematography by Colin Watkinson, ASC, BSC. Original teleplay written by Bruce Miller. Made in Misael Sanchez's "Filmmaking: Visualizing and Creating Moving Images for the Screen" at Sarah Lawrence College.

A story from the very center of events about the birth of a new country, the Donetsk People's Republic. Filming took place over six weeks from April to May 2014. The camera follows 300 revolutionaries who took over the building of the Regional State Administration in the center of Donetsk and declared the independence of the region. The revolutionaries see themselves as the saviors of their people from the bloodthirsty fascist government based in Kyiv. This is a story about how to make a revolution and what happens after that when you get the power. The heroes of the film are Andrei ("Lenin"), who leaves home and mother to change history; the speaker of the new government, Vladimir, and the head of the internal anti-corruption security service, whose task is to capture and interrogate traitors, fascists and enemies of the Revolution. When the heroes believed they had won, their fates abruptly changed course.

This is an unfiltered, fly-on-the-wall account of how the Donetsk People’s Republic came into being, filmed with astonishing access inside the Donetsk Administration Building over a six-week period from May to April, and follows the fortunes of a handful of revolutionaries from lowly militia to government figures. It’s an often bizarre observational insight into the some of the dynamics inside the ‘birth of a country’ and why people joined the rebel groups. The people of the film refuse to conform to the stereotypes that the Russian, Western or Ukrainian media have put on them. Come and see how the war began.

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